easter dress

I’m a tearsheet fanatic. I’ve always loved pulling and archiving tearsheets. But it wasn’t until I got to design school that I learned I wasn’t the only one saving random pages I tore from magazines and, in fact, that those pages could become part of the design process.

Unfortunately, S caught onto this habit really quickly and now looks over my shoulder when I read a magazine to holler out when she sees something she wants to save. Sometimes I have to explain that we’re not removing pages from a particular magazine. (Marie Claire Idees and Martha Stewart Living are the only survivers on my save-the-entire-magazine list. The others have, sadly, gone out of print: Blueprint, Domino.) Most of the time she gets to keep all photos of dogs and girls wearing pink.

I’ve appropriated a portion of one wall in the studio to act as my inspiration board, and on it are taped a variety of tearsheets and other objects that I like to see on a regular basis. Some of the images and objects have been inspiring me for years. Others get swapped out when I grow tired of them or find something else that interests me more.

This one has been on the wall for quite a while. It’s a Prada dress that I adore and wouldn’t mind wearing, myself.


I came back to this tearsheet one day recently when I was preparing to sew S’s Easter dress. I had selected navy silk dupioni (from Brewer) for the dress, and then I found a wonderful vintage yellow grosgrain ribbon with a moire effect (from Tinsel Trading). I wanted to incorporate some yellow eyelet fabric that I’ve been saving for a while, but I was having trouble pulling it all together until I remembered that tearsheet I walk past every day.

Off came the photo from the wall, and I carried it around for the next few days so I could think about it more. Here is what ultimately came of it: my interpretation of the feel of that Prada dress, done for a little girl.


In the end, I decided on two important embellishments to the Birthday Party Dress inspired by the photo. I added yellow topstitching in a deliberately meandering manner so that it would look uneven and a little “messed up.” And I sewed a strip of the eyelet fabric to the top edge of the hem facing so that it looks like a contemporary version of a petticoat peeking out from under the dress. It was important to me that the eyelet be separated from the hem to the extent that it had some dimension rather than simply looking like lace applied to the hem. By sewing the eyelet to the top of the hem facing it looks like a separate layer worn under the dress. Then I carefully (but not too carefully, since I wanted it to look a little rough) trimmed the eyelet into scallops that peek out beneath the dress.



And here is the dress, being modeled. I have to tell you that if my job consisted of regularly cajoling S to pose for photos I think I’d quit. It’s such a relief to work with an illustrator who does his work without whining or refusing to stand still/remove his cardigan for just two photos/stop making goofy faces/etc. (Dan, do you do any of those things when I can’t see you?)





I’m happy with the finished dress, and S loves it. Which is what counts. But she still won’t pose properly for me.

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20 Comments

  1. Wow! This is gorgeous. The top stitching is fabulous. This pattern just got bumped to the top on my wish list.

  2. Ooooh! Those colors are so refreshing 🙂

  3. Laura

    This is beautiful. I love what you did with the stitching – it adds so much to it. You inspire me to attempt more clothing for my children! Thank you.

  4. wow I agree, this is BEAutiful! So so sweet. I’m going to bookmark it for when I’m a more competent sewer 🙂

  5. I am speechless… rather typeless. This is spectacular!

  6. Amazing dress!

  7. I also want to add how adorable your little girl is – seriously… her little features are so striking! From the few photos I’ve seen of you – she looks like a little mini-you!

  8. gorgeous!!!!
    all of the details are blowing my mind (and the noisy children in background are contributing to that somewhat, also). i must come back later to properly take it all in.
    gorgeous…the dress and the girlie!

  9. susaninfrance/texas

    oh i like it…i’ve seen this in a french book i have with tulle and it was pretty. but your dress is very elegant! what a great idea you’ve given me for my girls’ easter dresses which look too plain as i’ve done them from linen.

  10. oh goodness! what a gorgeous rendition!

  11. Carrie

    Gorgeous!!!!

  12. Absolutely beautiful dress and a great interpretation of the original Prada.

  13. What a delicious dress!

  14. wow, I love this more than the Prada. I love your process. It reminds me of mine. Great minds, you know;)

  15. Lovely! I really like the lace detail!

  16. Our favorite Oliver + S in-house model (my daughter) and S have LOTS in common when it comes to holding still for a photo shoot to show off mommy’s hard work! Thanks for the affirmation and your insight on your creative processes!

  17. ali

    that turned out absolutely beautiful! And I can sympathize with getting your kids to pose well for a clothing photo! (Or any photo for that matter)

  18. The dress is absolutely beautiful. I love the asymetrical top stitching. I became an Auntie for the first time a couple of weeks ago, to a girl named Megan Rose. I was so happy it’s a girl as I was hoping to be able to sew dresses for her!

  19. So cute. I love it…

  20. Oh I am sooooo going to put some lace under the next Birthday Party dress I make. It’s such an adorable addition to an already fabulous dress.

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